WE ARE CACTUS CINE SEE THE LEGEND

We are Cactus Film, a group of people that created a job out of their obsession and a passion out of their work.

We learned by doing, filming and studying everything we could. We were given birth by shorts. We did well. At 20, we were traveling and winning awards in Havana, Berlin, Mexico, Canada, Buenos Aires, Portugal and Rome. We worked on several documentaries, editing and filming. And we used our ability for short narrative fiction for corporate image and product advertising. We acquired Professionalism. We grew. And TV showed up to stay to this very day. We grew up in its frenzy and it allowed us to create a structure of people prepared to respond under any circumstance while maintaining our

quality and style. We provide services and formats for various public and private broadcasting television signals . From this solid foundation we spiraled up towards cinema: we made our own movies. And it rewarded us again. We won the Mar del Plata International Film Festival, went to Berlin, Warsaw, San Sebastian, London, Amsterdam, Napa Valley ... We have a natural creative calling, with a large capacity for production.With 10 years of undisputed Aesthetic Quality Work and High Professional Consistency, we continue to grow as the most beautiful desert plant does, protecting the water of creativity with the hard thorns of rigorous work, because every film deserves it. But above all, because any idea set into motion deserves it .

NICOLAS CARRERAS

NICOLAS CARRERAS

A genuine interest for the narrative, a great deal of experience in working with actors and a constant concern for representationhas given him a style of remarkable originality. Warmth and intimacy always seem to prevail amongst his characters even while crossing borders between documentaries and fiction. This standard is present throughout all of Cactus' films and is one of the trademarks which has taken our Production House to the Greatest Movie Festivals of the World.

SEBASTIAN CARRERAS

SEBASTIAN CARRERAS

Through fiction he investigated the power of short story where he soon earned international acclaim. With feature documentaries he developed a devotional respect for the Art of Montage and has since returned to directing where he has managed to portray different world cultures with extraordinary sensitivity. This has distinguished Cactus Cine from other production companies as one with solid experience in both Documentary Film and Television.

MAURICIO ALBORNOZ I.

MAURICIO ALBORNOZ I.

His musical knowledge, added to a vast experience in almost every audiovisual department, has led him to develop a rhythmic conception of cinematographic narration which he has magnificently applied to his Directing, Editing, and Screenwriting. In recent years, his music has provided Cactus Cine productions with a clear dynamic musical watermark which has made our productions recognizable by virtue of their visual and narrative power.

AGUSTIN VIDAL

AGUSTIN VIDAL

Thanks to an exquisite artistic treatment of the image and a sophisticated enjoyment for optical illusions he has managed to acquire a great technical and narrative ability for animation in all of its forms. In addition, he has specialized in the study of new technologies, formats and video work flow which he then has combined with different software to create unique productions. With Agu’s help we recently launched the Animation and Postproduction Department at Cactus Cine where he has not only excelled as a 2D and 3D Animator but also as a Director, Cinematographer and Colorist.

AWARDS
EL CAMINO DEL VINO.

Largometraje (HD color)
• Premio FIPRESCI en el 25ª Festival Internacional de Mar del Plata
• Premio al Mejor Guión en el Festival Grape and Wine Film Festival (Francia)
• Selección Culinary Cinema 61ª FilmfestpieleBerlin
• Selección CulinaryZinema del 59ª Donostia Zinemaldia Festival de San Sebastián.

BEIRUT, BUENOS AIRES, BEIRUT.

Largometraje (HD color)
• Premio Mejor Documental en el Festival Internacional de Cine LatinArab-Argentina
• Premio del Público en el Festival Latinoamericano de Cine Árabe
• Selección en el Festival Internacional AlJazeera-Qatar
• Selección en el Festival Libanés-Líbano.
• Selección en el Festival AMAL, España.

LA MUESTRA.

Largometraje (HD color)
• Selección Oficial en el Festival de Cine de Montreal
• Selección en el Cleveland Film Festival
• Selección en el Festival de Valladolid-España.

SOC CATALÁ EN ARGENTINA.

Largometraje (DVCAM color)
• Selección Espacio INCAA

SAN CAYETANO.

Largometraje (DVCAM color)
• Selección Competencia en el Festival Internacional de Cine Santiago-Chile.
• Selección en el Festival Internacional de Guadalajara-México.
• Selección 6to Tandill Cine

MASÍ, ME TIRO.

Cortometraje (16mm color)
• 1er Premio Festival Internacional de la Habana. Dic 2003
• 2do premio concurso “60 segundos” de Metrovías y el INCAA 2002.
• 1er Premio mejor guión, festival de Cortos de Tapiales. Nov 2003
• Selección oficial o Short Film Festival Munich BUNTER HUND 2004.
• Festival Internacional de Guadalajara, Mexico. Abril 2004
• BerlinaleTalent Campus, Berlin. Feb 2003
• Festival Internacional de cine, Barcelona. Dic 2003
• FIKE 2003, Portugal. Dic 2003
• SehsüchteFilmfestival, Alemania. Mayo 2004
• 55th International Short Film Festival of MontecatiniTerme, Italia. Marzo 2004
• XXII Festival Cinematográfico Internacional del Uruguay. Abril 2004
• 5to Festival de cine de Luton, Reino Unido, marzo 2004.
• FEJOREL, centro culural San Martin. 2004
• Festival VIVA, UK. 2004

TELEPHONEZ A ELVIS.

Cortometraje (DV color. 2003)
• Selección Proyecto “Portraits Croisses13”: INIS, Montreal; FUC, Buenos Aires; CCC, México.
• Mención especial del Jurado. FIEC (Festival Internacional de Escuelas de Cine) Bs As. 2003.
• Selección Muestra Oficial, “Les Rendez-vous du cinémaquébécois”, Montreal, marzo 2003
• Selección muestra oficial, Images du Nouveau Monde, Montreal, Canada, marzo 2003

EL AÑO PASADO EN MATADEROS.

Cortometraje (16mm color. 2003)
• 1er Premio del Festival Internacional de Polonia. “Etiudia 2003” o Mención especial del jurado en el concurso “60 segundos” de Metrovías y el INCAA. 2002.
• Selección muestra oficial del Festival “Going underground14” 2005
• Selección oficial del Festival Internacional de cine de Barcelona. Dic 2003

PINTA, CORRE, PINTA.

Cortometraje (DVCAM color)
• Selección Oficial Proyecto “PortraitsCroisses”: INIS, Montreal; FUC, Buenos Aires; CCC, México. o Selección competencia oficial. FIKE- EVORA Portugal 2004
• Selección Muestra Oficial, “Les Rendez-vous du cinéma québécois15”, Montreal, marzo 2003
• Selección muestra oficial, Images du Nouveau Monde, Montreal, Canada, marzo 2003

EL REY TOTO.

Cortometraje (16 mm color)
• Premio Mejor Ficción y Mejor Actuación Festival Latinoamericano de Rosario. 2001
• 2do Premio Festival del festival “Aguante Buenos Aires” del Gobierno de la Ciudad 2003
• 2do Premio de la competencia oficial. Festival de cine y video UNCIPAR. 2002
• Diploma de Honor del Jurado. Festival de Belgrano FEJOREL 3. 2001

NOCHE A LAS PIÑAS.

Cortometraje (DVCAM color)
• Selección muestra oficial Festival de San Telmo "Que hay de nuevo". Nov. 2005

SOLO

• Selección en el Festival Internacional del Extremo Sur (FIAES) de Mendoza.
• Selección en la Muestra de Cortos de Diseño de Imagen y Sonido 2010.
• Exhibido en el Espacio INCAA KM0 Gaumont y en el Microcine de la Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires.